努尔·乌纳哈，1997年出生于巴基斯坦首都卡拉奇，成长于历史名城塔塔城，现在在卡拉奇工作和生活。巴基斯坦当代艺术家、诗人。2015年起在ins上更新自己手写的诗歌，配以手绘插画。身为穆斯林，她的诗与画既承载复杂多样的文化和社会背景，也深具当代女性的独立精神，充满力量和深度，吸引了上百万读者，在全球范围内掀起了instapoetry艺术创作风潮。《昨日我是月亮》在粉丝的呼声中集结而成，向全世界展现一个巴基斯坦女孩成长背后的历史碎片、宗教信仰和生命思考。越来越多的读者接收到这面纱屏蔽不了的女性声音，她和她的作品穿越战争、宗教和家庭的阻碍， 打破桎梏，穿越地域，直击人心。

Amazon.com Amazon Significant Seven, December 2007: Proust may have been more neurasthenic than neuroscientist, but Jonah Lehrer argues in Proust Was a Neuroscientist that he (and many of his fellow artists) made discoveries about the brain that it took science decades to catch up with (in Proust's case, that memory is a process, not a repository). Lehrer weaves back and forth ...(展开全部)

Amazon.com Review Amazon Significant Seven, December 2007: Proust may have been more neurasthenic than neuroscientist, but Jonah Lehrer argues in Proust Was a Neuroscientist that he (and many of his fellow artists) made discoveries about the brain that it took science decades to catch up with (in Proust's case, that memory is a process, not a repository). Lehrer weaves back and...(展开全部)

Amazon.com Amazon Significant Seven, December 2007: Proust may have been more neurasthenic than neuroscientist, but Jonah Lehrer argues in Proust Was a Neuroscientist that he (and many of his fellow artists) made discoveries about the brain that it took science decades to catch up with (in Proust's case, that memory is a process, not a repository). Lehrer weaves back and forth ...(展开全部)

Amazon.com Review Amazon Significant Seven, December 2007: Proust may have been more neurasthenic than neuroscientist, but Jonah Lehrer argues in Proust Was a Neuroscientist that he (and many of his fellow artists) made discoveries about the brain that it took science decades to catch up with (in Proust's case, that memory is a process, not a repository). Lehrer weaves back and...(展开全部)

Nostalgia has a bad reputation. Its critics dismiss it as mere sentimentality or, worse, a dangerous yearning for an imagined age of purity. And nostalgia is routinely blamed for trivializing the past and obscuring its ugly sides. In Yesterday, Tobias Becker offers a more nuanced and sympathetic view. Surveying the successive waves of nostalgia that swept the United States and ...(展开全部)

弗雷德里克·刘易斯·艾伦，研究美国20世纪前半时期的知名历史学家。曾任《世纪》杂志和《哈珀》杂志主编。 其最为著名的著作就是人们津津乐道的“美利坚帝国成长三部曲”系列：《大繁荣时代》（Only Yesterday）、《大衰退时代》（Since Yesterday）和《大转型时代》（The Big Change ）。此外，他还著有《保罗·R.雷诺兹》、《伟大的摩根》、《万物之灵》、《看美国》等书。

多和田叶子，1960年生于东京。毕业于早稻田大学文学系。1982年赴德国汉堡，继攻读汉堡大学研究生课程之后，修完苏黎世大学的博士课程。1991年，以《失去脚踝》获群像新人奖。1993年，以《狗女婿上门》获芥川奖。2000年，以《雏菊茶的时候》获泉镜花奖。2002年，以 《球形时间》获得日本Bunkamura双偶文学奖，并以《嫌疑犯的夜行列车》获得谷崎润一郎文学奖和伊藤整文学奖。此外还有《掉进海里的名字》、《修女与丘比特之弓》等作品。 获日本最高文学奖芥川龙之介奖（第108回） 首位荣获德国最高文学奖克莱斯特奖（2016）的亚洲作家 日本最著名的“越境”作家。贝克特，乔伊斯，卡夫卡的当代精神传人 多和田叶子以独特的手法运用文字，不断在语言内部缔造新的表现可能。 ——克莱斯特奖获奖理由 在翻译的过程中，往往为了追求中文流畅而抹去异语言带来的陌生感。译者金...(展开全部)